Grounded in social anthropology, critical museum studies, and feminist STS approaches, my research project studies multiple modes of doing biodiversity in public engagement practices at the Museum für Naturkunde, Berlin. The on-going major structural and infrastructural renovations at this museum make it a particularly exciting research context. Matters engaged include citizen science, coexistence of different epistemic cultures, emergence of publics, and the “participation issue”.
In order to understand the complexity of my research ecology, I directed my ethnographic attention to group and mediated formats: guided tours, workshops, public talks, and a CS project. In these activities – which unfold according to various purposes, means, and thematic focuses – multiple biodiversities are done differently, assembling subjects and objects in different ways.
I research these activities as constellations of situated processes of always partial and temporary co-productions. Moving from this position, my main aim is to learn how the semiotic-material entanglements of humans, non-humans, and technologies, digital media in particular, co-produce specific interspecies modes of knowing and caring about environments.
Workshops and seminars attended (2017-2020)
03-04.02.2020 Good scientific practice – protecting scientific integrity, Dr. Julia Verse, Museum für Naturkunde, Berlin
22.01.2020 Scientific Communication, Wiebke Rössig, Museum für Naturkunde, Berlin
02.05.2019 My niche: ecology of individual differences, Dr. Melanie Dammhahn, Museum für Naturkunde, Berlin
2018 Academic Writing – Social Sciences and Humanities, Barbara, Handke, HU, Berlin
11.10.2018 The principle of priority in principle and in practice: an early 20th century debate over the stabilization of ‘old’ genus names in zoology and botany, Dr. Joeri Witteveen, Museum für Naturkunde, Berlin
01-05.10.2018 On Common Grounds? Researching Public Engagements of Museums and Heritage Sites, Christine Gerbich and Rikke Gram, Hochschule für Technik und Wirtschaft, Berlin
SoSe 2018, Counting and re-counting nature, Prof. Dr. Tahani Nadim, IfEE, Berlin
23-24.09.2017 Swarm | Cell | City, Heather Barnett and plan p, Art Laboratory Berlin
Academic and professional background
In 2012, I gained a master’s degree in Cultural Anthropology and Ethnology from the University of Bologna – from which I also gained my bachelor’s degree. My MA dissertation in Museum Anthropology was based on ethnographic research conducted at the London-based Wellcome Collection, where I examined verbal and non-verbal processes of meaning construction during guided tours of the permanent exhibition “Medicine Now”.
In 2015 I conducted a four-months work placement as part of the artistic project “Museum of Contemporary Commodities” co-founded by artist-researcher Paula Crutchlow and Cultural Geographer Ian Cook, University of Exeter. The project was hosted at London-based Furtherfield Gallery.
In the same year I was Engage Volunteer at the Horniman Museum and Gardens, London.
In January 2016 I received a master’s degree in Museums, Galleries, and Contemporary Culture from the University of Westminster, London. My final project dealt with informal learning experiences of participatory workshops in exhibiting contexts.
In 2016 I worked as assistant exhibition registrar for La Biennale di Venezia Foundation in the frame of the Architecture Biennale supporting, among others, the pavilion A World of Fragile Parts realised by the V&A.
In the same year, I was intern project assistant for RAVE – East Village Artistic Residency. The theme of that edition was “Animal Spaces” and the artist in residence Tomàs Saraceno. It was co-designed in collaboration with the Politecnico in Milan (“Milano Animal City” project) and the Technische Universität Braunshweig (BioBerlin project).