Below you can find a list of publications by CARMAH researchers which can, for the most part, be downloaded either as a pdf or via an external link. Please note that some external links may require you to register access via the providing platform.
2020
Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial
Margareta von Oswald and Jonas Tinius (eds.) (2020). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.
Across Anthropology. An Introduction.
Margareta von Oswald and Jonas Tinius (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.
Transforming the Ethnographic: Anthropological Articulations in Museum and Heritage Research
Sharon Macdonald (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.
Troubling Colonial Epistemologies in Berlin’s Ethnologisches Museum: Provenance Research and the Humboldt Forum
Margareta von Oswald (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.
Porous Membranes: Alterity, Hospitality, and Anthropology in a Berlin District Gallery
Jonas Tinius (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.
Jonas Tinius, Nora-Al-Badri, Khadija von Zinnenburg Carroll, Silvy Chakkalakal, Alya Sebti (2020). ‘Traces, Legacies, and Futures: A Conversation on Art and Temporality’. Third Text Forum 01/2020. Open-access.
Jonas Tinius and Sharon Macdonald (2020). ‘The recursivity of the curatorial’. In: Roger Sansi (ed.). The Anthropologist as Curator. London: Bloomsbury, pp. 35-58.
Troubling diversity and iterations of difference: reflections on curatorial tensions and a mapping survey
Jonas Tinius (2020). In: Kathleen Louw et al. (eds.). Beyond Afropolitan & Other Labels: On the Complexities of Dis-Othering as a Process. Brussels: BOZAR, pp. 39-45.
Mapping Diversities in Austria, Belgium, and Germany. An introduction to the polyvalent politics of diversity and the difficulties of dis-bothering
Jonas Tinius, Tonica Hunter, and Naomi Ntakiyica (2020). In: Kathleen Louw et al. (eds.). Beyond Afropolitan & Other Labels: On the Complexities of Dis-Othering as a Process. Brussels: BOZAR, pp. 11–14.
Christoph Bareither and Ingrid Tomkowiak (eds.) (2020). Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Königshausen & Neumann, Würzburg.
Sharon Macdonald (2020). In: Christoph Bareither and Ingrid Tomkowiak (eds.). Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns, pp. 31–40. Würzburg: Königshausen und Neumann.
Sharon Macdonald (2019). 'Review Article. Materilizing creationism in the United States.' In: Journal of the Royal Anthropological Institute, 25(3): pp. 606-608.
Duane Jethro (2019). 'The Commemoration Service on the Occasion of the third Repatriation of Human Remains from former German South-West Africa on the 29th of August 2018 at Franzosische Friedrichstadtkirche, Berlin'. In: Material Religion, 15(4), pp. 522-526.
Katarzyna Puzon (2019), in Heike Oevermann and Eszter Gantner (eds) Securing Urban Heritage: Agents, Access, and Securitization, pp. 31-46. London: Routledge.
Sharon Macdonald (2019), in: Material Religion, 15(3): 378-9.
“We go to Venice and we will walk on water. Bauhaus, Repatriation, and Photography” (Interview)
Jonas Tinius and Bonaventure Soh Bejeng Ndikung. 2019. ‘We go to Venice and we will walk on water. Jonas Tinius in conversation with Bonaventure Soh Bejeng Ndikung on Bauhaus, rematriation, and photography’. Something We Africans Got 7: 38–42.
Jonas Tinius. 2019. ‘Fieldnotes’, in: Post-Otherness Wedding / Unsustainable Privileges. Galerie Wedding – Space for Contemporary Art Berlin, edited by Solvej Helweg Ovesen and Bonaventure Soh Bejeng Ndikung. Bielefeld / New York: Kerber, pp. 177–181.
Sharon Macdonald (2019). In: 'Vergessen. Warum wir nicht alles erinnern.' Alley, Jasmin and Wettengl, Kurt (eds.), pp. 182 - 187; 214. Historisches Museum Frankfurt: Michael Imhof Verlag.
Jonas Tinius. 2019. ‘Interstitial Agents: Negotiating Migration and Diversity in Theatre’, in: Bock, Jan-Jonathan and Sharon Macdonald. (eds) Refugees Welcome? Differences and Diversity in a Changing Germany. Oxford/New York: Berghahn Books, pp. 241–264.
in: Bock, Jan-Jonathan and Sharon Macdonald. (eds) Refugees Welcome? Differences and Diversity in a Changing Germany. Oxford/New York: Berghahn Books, pp. 241–264.
Christoph Bareither (2019): Doing Emotion through Digital Media. An Ethnographic Perspective on Media Practices and Emotional Affordances. In: Ethnologia Europaea 49/1, pp. 7-23. Open Access.
Nadim, T. 2018. The sourball of every revolution: who’s going to pick up the garbage on Monday morning. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK
Nadim, T. 2018. „c u soon humans need sleep now so many conversations today thx”. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK
Sharon Macdonald and Jennie Morgan (2018), in Philipp Schorch and Conal McCarthy (eds.): Curatopia. Museums and the Future of Curatorship. Manchester: Manchester University Press.
Larissa Förster and Friedrich von Bose (2018), in: Philipp Schorch and Conal McCarthy (eds.): Curatopia. Museums and the Future of Curatorship. Manchester: Manchester University Press.
Menschliche Überreste in deutschen Institutionen. Historische Entwicklungen und zukünftige Perspektiven
Sarah Fründt and Larissa Förster (2018), in: Zeller, Joachim; Bechhaus-Gerst, Marianne (eds.) Deutschland postkolonial? Die Gegenwart der imperialen Vergangenheit. Berlin: Metropol-Verlag.
Larissa Förster, Iris Edenheiser & Sarah Fründt, translation of the introduction to the volume "Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit" (2018), provided through the Research Centre for Material Culture, Leiden.
Larissa Förster, translation of the introduction to thematic block 5 of the edited volume "Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit" (2018), provided through the Research Centre for Material Culture, Leiden.
Larissa Förster & Sarah Fründt (eds.) (2018), with contributions by E. Ayau, D. Gabler, T.H. Herewini, H. Keeler, K. Kepplinger, R. Leipold, M. Pickering, D. Preuß, C. Rassool, K. Schramm, H. Stoecker & A. Winkelmann.
Margareta von Oswald, Felicity Bodenstein & Callum Fisher (2018): A report from the three-day workshop 'Exchanging perspectives: anthropologies, museum collections and colonial legacies between Paris and Berlin' (June 6-8, 2018) held at CARMAH and at the Haus der Kulturen der Welt. In: Blog - Wie weiter mit Humboldts Erbe? Ethnographische Sammlungen neu denken.
Jonas Tinius. 2018. ‘Artistic Diplomacy: On Civic Engagement and Transnational Theatre’, in: Breed, Ananda and Tim Prentki. (eds) Performance and Civic Engagement. Basingstoke: Palgrave, pp. 269-300.
'Capacity for Character: Fiction, Ethics, and the Anthropology of Conduct'. Social Anthropology/Anthropologie Sociale 26 (3): 345-360.
(Per)former de nouvelles institutions artistiques: autorité et travail créatif au Theater an der Ruhr
Jonas Tinius. 2018. ‘(Per)former de nouvelles institutions artistiques: autorité et travail créatif au Theater an der Ruhr’, in: Troupes, compagnies, collectifs dans les arts vivants: organisations du travail, processus de création et conjonctures’, edited by Bérénice Hamidi-Kim and Séverine Ruset-Penketh. Paris: Édition L’Entretemps, pp. 407–420.
Duane Jethro (2018) in: Meyer, Birgit and Mattijs van de Port (eds.): Sense and Essence - Heritage and the Cultural Production of the Real. Oxford: Berghahn Books, 136-157.
Nadim, T. 2018. Friends with books. In Moore, S. (ed.) The Commons and Care. Manchester: Mattering Press. pp 26-33.
Endorsement effects and warning potentials. Architecture from Totalitarian eras as heritage
Sharon Macdonald (2018), in Håkan Hökerberg (ed.) Architecture as Propaganda in Twentieth-Century Totalitarian Regimes. History and Heritage. Florence: Polistampa
Heritage
Sharon Macdonald (2018), in H.Callan (ed.) Encyclopaedia of Anthropology, Wiley-Blackwell.
The Long Way Home. Zur Biografie rückgeführter Objekte/Subjekte
Larissa Förster (2018), in: Greub, Thierry and Martin Roussel (eds.): Figurationen des Portraits. Wilhelm Fink: Paderborn
Sharon Macdonald & Jennie Morgan (2018), in Regine Falkenberg, Thomas Jander (eds.) 'Assessment of Significance.' Berlin: Deutsches Historisches Museum, pp. 20 - 26.
Nadim, T. 2018. Haunting seedy connections. In Lury, C., Fensham, R., Heller-Nicholas, A., Lammes, S., Last, A., Michael, M. and Uprichard, E. (eds.) Routledge Handbook of Interdisciplinary Research Methods, Abingdon and New York: Routledge. pp 239-247.
Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann (eds.) (2018), E-book, published on the e-doc-server of Humboldt-Universität zu Berlin.
Larissa Förster (2018), in: Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann (eds.): Provenienzforschung zu ethnologischen Sammlungen der Kolonialzeit, published on the e-doc-server of Humboldt-Universität zu Berlin.
Jonas Tinius (2018), in: Fillitz, Thomas and Paul van der Grijp (eds.): An Anthropology of Contemporary Art: Practices, Markets, and Collectors. London: Bloomsbury, pp. 130–145.
In: Brandstetter, Anna-Maria and Vera Hierholzer (eds.) (2018): Nicht nur Raubkunst! Sensible Dinge in Museen und universitären Sammlungen. Mainz University Press: 293-318.
Duane Jethro (2017) in: Mille, Kim and Brenda Schmahmann (eds.): Bronze Warriors and Plastic Presidents - Public Art in South Africa. Bloomington: Indiana University Press, 166-192.
Jonas Tinius (2017), in: Ove Sutter and Valeska Flor (Hrsg.) Ästhetisierung der Arbeit. Kulturanalysen des kognitiven Kapitalismus. Bonner Beiträge zur Alltagskulturforschung, Band 11. Münster: Waxmann, S. 139–156
Sharon Macdonald (2017), in: Stuhl, Frauke, Horst Bredekamp und Wolfgang Schäffner (eds.): +ultra. gestaltung schafft wissen. Dokumentation der Ausstellung und ihrer partizipativen Vermittlungsformate. Berlin: Waxmann, pp. 67-70.
Sharon Macdonald (2017), in: Iphofen, Ron (ed.): Finding Common Ground. Consensus in Research Ethics Across the Social Sciences. London: Emerald Publishing Limited. pp. 29-35.
Harrison, R., N. Bartolini, C. DeSilvey, C. Holtorf, A. Lyons, Macdonald, S., Morgan, J. and S. Penrose (2016), in: Archaeology International, No. 19: pp. 68-72.
Jonas Tinius (2016), in: Rustamova, Gyunel (ed.): Art as a Medium for Action. Exhibition catalogue, curated by Cinthia Willaman. London: Langham Press, pp. 4–6.
Larissa Förster (2016), in: Deutsches Historisches Museum (ed.): Deutscher Kolonialismus. Fragmente seiner Geschichte und Gegenwart. Berlin, pp. 154-161
Katarzyna Puzon (2016), in: O'Rawe, D. and M. Phelan (eds.): Post-Conflict Performance, Film and Visual Arts: Cities of Memory. Contemporary Performance InterActions. London: Palgrave Macmillan, pp. 265-83.
Larissa Förster (2016) in: Schulze, Sabine und Silke Reuther (eds.): Raubkunst? Silber aus ehemals jüdischem Besitz – wie gehen Museen damit um? Tagungsband zum Symposium anlässlich der Ausstellung „Raubkunst? Provenienzforschung zu den Sammlungen des Museums für Kunst und Gewerbe Hamburg. 42-45.
Sharon Macdonald and Helen Rees Leahy (general eds.) (2015): Four volumes. Museum Theory, Museum Practice, Museum Media and Museum Transformations. New York: Wiley-Blackwell.
