Publications 2020 2019 2018 2017 2016 2015

Below you can find a list of publications by CARMAH researchers which can, for the most part, be downloaded either as a pdf or via an external link. Please note that some external links may require you to register access via the providing platform.

2020

System box (tray) with wasp

Heritage Futures

Rodney Harrison, Caitlin DeSilvey, Cornelius Holtorf, Sharon Macdonald, Nadia Bartolini, Esther Breithoff, Harald Fredheim, Antony Lyons, Sarah May, Jennie Morgan and Sefryn Penrose. Free to download at https://www.uclpress.co.uk/products/125035.

Kultur ist nicht nur eine historische Sammlung, sondern Teil eines fortlaufenden Gesprächs.

Sharon Macdonald (2020). In: Sabine Benzer (ed.). Kulturelles Erbe. Was uns wichtig ist!, pp. 63-77. Wien: Folio Verlag.

Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial (download the entire book here)

Margareta von Oswald and Jonas Tinius (eds.) (2020). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.

Across Anthropology. An Introduction (download here)

Margareta von Oswald and Jonas Tinius (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.

Transforming the Ethnographic: Anthropological Articulations in Museum and Heritage Research (download here)

Sharon Macdonald (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.

Troubling Colonial Epistemologies in Berlin’s Ethnologisches Museum: Provenance Research and the Humboldt Forum (download here)

Margareta von Oswald (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.

Porous Membranes: Alterity, Hospitality, and Anthropology in a Berlin District Gallery (download here)

Jonas Tinius (2020). In: Margareta von Oswald and Jonas Tinius (eds.). Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial. Leuven: Leuven University Press. Open Access.

Degrowing Museum Collections for New Heritage Futures

Jennie Morgan and Sharon Macdonald (2020). In: International Journal of Heritage Studies, 26(1): 56–70.

‘Traces, Legacies, and Futures. A Conversation on Art and Temporality’

Jonas Tinius, Nora-Al-Badri, Khadija von Zinnenburg Carroll, Silvy Chakkalakal, Alya Sebti (2020). ‘Traces, Legacies, and Futures: A Conversation on Art and Temporality’. Third Text Forum 01/2020. Open-access.

The Recursivity of the Curatorial

Jonas Tinius and Sharon Macdonald (2020). ‘The recursivity of the curatorial’. In: Roger Sansi (ed.). The Anthropologist as Curator. London: Bloomsbury, pp. 35-58.

Troubling diversity and iterations of difference: reflections on curatorial tensions and a mapping survey

Jonas Tinius (2020). In: Kathleen Louw et al. (eds.). Beyond Afropolitan & Other Labels: On the Complexities of Dis-Othering as a Process. Brussels: BOZAR, pp. 39-45.

Mapping Diversities in Austria, Belgium, and Germany. An introduction to the polyvalent politics of diversity and the difficulties of dis-bothering

Jonas Tinius, Tonica Hunter, and Naomi Ntakiyica (2020). In: Kathleen Louw et al. (eds.). Beyond Afropolitan & Other Labels: On the Complexities of Dis-Othering as a Process. Brussels: BOZAR, pp. 11–14.

Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns

Christoph Bareither and Ingrid Tomkowiak (eds.) (2020). Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Königshausen & Neumann, Würzburg.

Immersed in the Nazi Past: Limits, Risks and Approaches in the Mediation of Dangerous Histories

Sharon Macdonald (2020). In: Christoph Bareither and Ingrid Tomkowiak (eds.). Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns, pp. 31–40. Würzburg: Königshausen und Neumann.

2019

Heritage Formation and the Senses in Post-Apartheid South Africa. Aesthetics of Power

Duane Jethro (2019). Heritage Formation and the Senses in Post-Apartheid South Africa. Aesthetics of Power. London: Bloomsbury.

Researching Ethnographic Museums in Europe

Sharon Macdonald (2019). In: Edenheiser, Iris and Larissa Förster (eds.): Museumsethnologie – Eine Einführung. Theorien – Debatten – Praktiken. Berlin: Dieter Reimer Verlag: pp. 360-70.

Der Umgang mit der Kolonialzeit: Provenienz und Rückgabe

Larissa Förster (2019). In: Edenheiser, Iris and Larissa Förster (eds.): Museumsethnologie – Eine Einführung. Theorien – Debatten – Praktiken. Berlin: Dieter Reimer Verlag: pp. 78-103.

Zum Auftakt: Shifting Grounds

Larissa Förster and Iris Edenheiser (2019). In: Edenheiser, Iris and Larissa Förster (eds.): Museumsethnologie – Eine Einführung. Theorien – Debatten – Praktiken. Berlin: Dieter Reimer Verlag: pp. 13-27.

Materializing creationism in the United States

Sharon Macdonald (2019). 'Review Article. Materilizing creationism in the United States.' In: Journal of the Royal Anthropological Institute, 25(3): pp. 606-608.

The Commemoration Service on the Occasion of the third Repatriation of Human Remains from former German South-West Africa on the 29th of August 2018 at Franzosische Friedrichstadtkirche, Berlin

Duane Jethro (2019). 'The Commemoration Service on the Occasion of the third Repatriation of Human Remains from former German South-West Africa on the 29th of August 2018 at Franzosische Friedrichstadtkirche, Berlin'. In: Material Religion, 15(4), pp. 522-526.

Heritage Traces, Differences, and Futures: New Research Approaches to Heritage and Society

Sharon Macdonald, in Robert Kusek and Jacek Purchla (eds), 'Heritage and Society' (Heritology series). Krakow: International Cultural Centre

Participatory Matters: Access, Migration, and Heritage in Berlin Museums

Katarzyna Puzon (2019), in Heike Oevermann and Eszter Gantner (eds) Securing Urban Heritage: Agents, Access, and Securitization, pp. 31-46. London: Routledge.

reframing islam in the “refugee crisis”?

Sharon Macdonald (2019), in: Material Religion, 15(3): 378-9.

“We go to Venice and we will walk on water. Bauhaus, Repatriation, and Photography” (Interview)

Jonas Tinius and Bonaventure Soh Bejeng Ndikung. 2019. ‘We go to Venice and we will walk on water. Jonas Tinius in conversation with Bonaventure Soh Bejeng Ndikung on Bauhaus, rematriation, and photography’. Something We Africans Got 7: 38–42.

Fieldnotes

Jonas Tinius. 2019. ‘Fieldnotes’, in: Post-Otherness Wedding / Unsustainable Privileges. Galerie Wedding – Space for Contemporary Art Berlin, edited by Solvej Helweg Ovesen and Bonaventure Soh Bejeng Ndikung. Bielefeld / New York: Kerber, pp. 177–181.

Was kommt danach? Solidarität mit bedrohten Wissenschaftler*innen in und aus der Türkei

Alice von Bieberstein, Corinna Trogisch and Steffen Käthner (2019), in: Forum Wissenschaft 19(1): 24-31.

Wie Museen vergessen. Sieben Weisen

Sharon Macdonald (2019). In: 'Vergessen. Warum wir nicht alles erinnern.' Alley, Jasmin and Wettengl, Kurt (eds.), pp. 182 - 187; 214. Historisches Museum Frankfurt: Michael Imhof Verlag.

Refugees Welcome? Difference and Diversity in a Changing Germany

Sharon Macdonald & Jan-Jonathan Bock (2019) eds., Refugees Welcome? Difference and Diversity in a Changing Germany, Oxford: Berghahn.

Interstitial Agents: Negotiating Migration and Diversity in Theatre

Jonas Tinius. 2019. ‘Interstitial Agents: Negotiating Migration and Diversity in Theatre’, in: Bock, Jan-Jonathan and Sharon Macdonald. (eds) Refugees Welcome? Differences and Diversity in a Changing Germany. Oxford/New York: Berghahn Books, pp. 241–264.

Interstitial Agents: Negotiating Migration and Diversity in Theatre

in: Bock, Jan-Jonathan and Sharon Macdonald. (eds) Refugees Welcome? Differences and Diversity in a Changing Germany. Oxford/New York: Berghahn Books, pp. 241–264.

Jacobus Hendrick: Traces of Namibian Social History, German Colonial History, and Berlin Scientific History

Larissa Förster, Dag Henrichsen, Holger Stoecker and Hans Axasi Eichab (forthcoming), in: Human Remains and Violence 4/2.

Doing Emotion through Digital Media. An Ethnographic Perspective on Media Practices and Emotional Affordances

Christoph Bareither (2019): Doing Emotion through Digital Media. An Ethnographic Perspective on Media Practices and Emotional Affordances. In: Ethnologia Europaea 49/1, pp. 7-23. Open Access.

2018

The ‘Restitution Report’ First Reactions in Academia, Museums, and Politics

Margareta von Oswald, in: Blog - Wie weiter mit Humboldts Erbe? Ethnographische Sammlungen neu denken.

The Influencing Machine

Nadim, T. and Wagner, N. (eds.) 2018. The Influencing Machine. Berlin: nGbK. ISBN 978-3-938515-74-7. 320 pages.

Introduction: The Influencing Machine

Nadim, T. 2018. Introduction: The Influencing Machine. In Nadim, T. and Wagner, N. The Influencing Machine. Berlin: nGbK.

The sourball of every revolution: who’s going to pick up the garbage on Monday morning

Nadim, T. 2018. The sourball of every revolution: who’s going to pick up the garbage on Monday morning. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK

„c u soon humans need sleep now so many conversations today thx”

Nadim, T. 2018. „c u soon humans need sleep now so many conversations today thx”. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK

“IBM Watson is the Donald Trump of the AI industry”

Nadim, T. 2018. “IBM Watson is the Donald Trump of the AI industry”. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK

(The end of) labour

Nadim, T. 2018. (The end of) labour. In Nadim, T. and Wagner, N. (eds.) The Influencing Machine. Berlin: nGbK

Profusion in Museums – A Report on Contemporary Collecting and Disposal

Harald Fredheim, Sharon Macdonald and Jennie Morgan (2018). York: University of York.

What not to collect? Post-connoisseurial dystopia and the profusion of things

Sharon Macdonald and Jennie Morgan (2018), in Philipp Schorch and Conal McCarthy (eds.): Curatopia. Museums and the Future of Curatorship. Manchester: Manchester University Press.

Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate

Larissa Förster and Friedrich von Bose (2018), in: Philipp Schorch and Conal McCarthy (eds.): Curatopia. Museums and the Future of Curatorship. Manchester: Manchester University Press.

Menschliche Überreste in deutschen Institutionen. Historische Entwicklungen und zukünftige Perspektiven

Sarah Fründt and Larissa Förster (2018), in: Zeller, Joachim; Bechhaus-Gerst, Marianne (eds.) Deutschland postkolonial? Die Gegenwart der imperialen Vergangenheit. Berlin: Metropol-Verlag.

De-growing museum collections for new heritage futures

Jennie Morgan and Sharon Macdonald (2018), in: International Journal of Heritage Studies

Artistic Diplomacy: On Civic Engagement and Transnational Theatre

in: Breed, Ananda and Tim Prentki. (eds) Performance and Civic Engagement. Basingstoke: Palgrave, pp. 269-300.

No Museum is an Island: Ethnography beyond Methodological Containerism

Sharon Macdonald, Christine Gerbich and Margareta von Oswald (2018), in: Museum and Society.

Alterity

Jonas Tinius. 2018. 'Alterity’, in: CARMAH. Eds. Otherwise: Rethinking Museums and Heritage. Berlin: CARMAH, pp. 40–54.

A Conference on Postcolonial Provenance Research. Introduction to the Conference Volume

Larissa Förster, Iris Edenheiser & Sarah Fründt, translation of the introduction to the volume "Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit" (2018), provided through the Research Centre for Material Culture, Leiden.

The Institutionalisation and Networking of Provenance Research in Different Historical Contexts

Larissa Förster, translation of the introduction to thematic block 5 of the edited volume "Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit" (2018), provided through the Research Centre for Material Culture, Leiden.

Human Remains in Museums and Collections. A Critical Engagement with the “Recommendations for the Care of Human Remains in Museums and Collections” of the German Museums Association

Larissa Förster & Sarah Fründt (eds.) (2018), with contributions by E. Ayau, D. Gabler, T.H. Herewini, H. Keeler, K. Kepplinger, R. Leipold, M. Pickering, D. Preuß, C. Rassool, K. Schramm, H. Stoecker & A. Winkelmann.

Review of Mara A. Leichtman, Shi’i Cosmopolitanisms in Africa. Lebanese Migration and Religious Conversion in Senegal (Indiana University Press)

Katarzyna Puzon (2018), in: Journal of the Royal Anthropological Institute 24(3): 649-650.

From the brothers Humboldt to Jacques Chirac and back…

Margareta von Oswald, Felicity Bodenstein & Callum Fisher (2018): A report from the three-day workshop 'Exchanging perspectives: anthropologies, museum collections and colonial legacies between Paris and Berlin' (June 6-8, 2018) held at CARMAH and at the Haus der Kulturen der Welt. In: Blog - Wie weiter mit Humboldts Erbe? Ethnographische Sammlungen neu denken.

Artistic Diplomacy: On Civic Engagement and Transnational Theatre

Jonas Tinius. 2018. ‘Artistic Diplomacy: On Civic Engagement and Transnational Theatre’, in: Breed, Ananda and Tim Prentki. (eds) Performance and Civic Engagement. Basingstoke: Palgrave, pp. 269-300.

Capacity for Character: Fiction, Ethics, and the Anthropology of Conduct

'Capacity for Character: Fiction, Ethics, and the Anthropology of Conduct'. Social Anthropology/Anthropologie Sociale 26 (3): 345-360.

(Per)former de nouvelles institutions artistiques: autorité et travail créatif au Theater an der Ruhr

Jonas Tinius. 2018. ‘(Per)former de nouvelles institutions artistiques: autorité et travail créatif au Theater an der Ruhr’, in: Troupes, compagnies, collectifs dans les arts vivants: organisations du travail, processus de création et conjonctures’, edited by Bérénice Hamidi-Kim and Séverine Ruset-Penketh. Paris: Édition L’Entretemps, pp. 407–420.

Liberated Waste: Heritage and Materiality at Robben Island and Constitution Hill, South Africa

Duane Jethro (2018) in: International Journal of Heritage Studies. Published online.

Reporting the Past: News, History and the Sunday Times Heritage Project

Duane Jethro (2018) in: Meyer, Birgit and Mattijs van de Port (eds.): Sense and Essence - Heritage and the Cultural Production of the Real. Oxford: Berghahn Books, 136-157.

Otherwise. Rethinking Museums and Heritage

CARMAH Research Paper # 1, 2018.

1905: Photograph of the Laikom Palace after the German victory over the Kom Kingdom

Margareta von Oswald, Mathias Fubah Alubafi & Verena Rodatus (2018): Translocations. Ikonographie Blog

Friends with books

Nadim, T. 2018. Friends with books. In Moore, S. (ed.) The Commons and Care. Manchester: Mattering Press. pp 26-33.

Endorsement effects and warning potentials. Architecture from Totalitarian eras as heritage

Sharon Macdonald (2018), in Håkan Hökerberg (ed.) Architecture as Propaganda in Twentieth-Century Totalitarian Regimes. History and Heritage. Florence: Polistampa

Heritage

Sharon Macdonald (2018), in H.Callan (ed.) Encyclopaedia of Anthropology, Wiley-Blackwell.

The Long Way Home. Zur Biografie rückgeführter Objekte/Subjekte

Larissa Förster (2018), in: Greub, Thierry and Martin Roussel (eds.): Figurationen des Portraits. Wilhelm Fink: Paderborn

How can we know the future? Uncertainty, transformation, and magical techniques of significance assessment in museum collecting.

Sharon Macdonald & Jennie Morgan (2018), in Regine Falkenberg, Thomas Jander (eds.) 'Assessment of Significance.' Berlin: Deutsches Historisches Museum, pp. 20 - 26.

Haunting seedy connections

Nadim, T. 2018. Haunting seedy connections. In Lury, C., Fensham, R., Heller-Nicholas, A., Lammes, S., Last, A., Michael, M. and Uprichard, E. (eds.) Routledge Handbook of Interdisciplinary Research Methods, Abingdon and New York: Routledge. pp 239-247.

Provenienzforschung zu ethnologischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte

Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann (eds.) (2018), E-book, published on the e-doc-server of Humboldt-Universität zu Berlin.

Die Institutionalisierung und Vernetzung von Provenienzforschung zu unterschiedlichen historischen Kontexten

Larissa Förster (2018), in: Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann (eds.): Provenienzforschung zu ethnologischen Sammlungen der Kolonialzeit, published on the e-doc-server of Humboldt-Universität zu Berlin.

Awkward Art and Difficult Heritage: Nazi Art Collectors and Postcolonial Archives

Jonas Tinius (2018), in: Fillitz, Thomas and Paul van der Grijp (eds.): An Anthropology of Contemporary Art: Practices, Markets, and Collectors. London: Bloomsbury, pp. 130–145.

Sensible Objekte interdisziplinär betrachtet. Eine Diskussion mit Wiebke Ahrndt, Larissa Förster, Ute Haug, Michael Schmitz und Günther Wessel

In: Brandstetter, Anna-Maria and Vera Hierholzer (eds.) (2018): Nicht nur Raubkunst! Sensible Dinge in Museen und universitären Sammlungen. Mainz University Press: 293-318.

2017

‘Economy, Happiness, and the Good Life’. An Interview with Prof Edward Fischer

Jonas Tinius and Johannes Lenhard (2017), in: King’s Review (1): 90–102.

Saving Beirut: Heritage and the City

Katarzyna Puzon (2017/2019), in: International Journal of Heritage Studies, 25(9): 914-925.

Perspectives on disposal: decluttering

Sharon Macdonald and Jennie Morgan (2017), Collections Trust Website.

Transgressive Touch: Ruination, Public Feeling and the Sunday Times Heritage Project

Duane Jethro (2017) in: Mille, Kim and Brenda Schmahmann (eds.): Bronze Warriors and Plastic Presidents - Public Art in South Africa. Bloomington: Indiana University Press, 166-192.

Prekarität und Ästhetisierung: Reflexionen zu postfordistischer Arbeit in der freien Theaterszene

Jonas Tinius (2017), in: Ove Sutter and Valeska Flor (Hrsg.) Ästhetisierung der Arbeit. Kulturanalysen des kognitiven Kapitalismus. Bonner Beiträge zur Alltagskulturforschung, Band 11. Münster: Waxmann, S. 139–156

The Porosity of Darkness: A Conversation on Architecture, Multimedia Arts, and the Venice Biennale

Jonas Tinius (2017), in: Mousse Magazine. With Kirstine Roeppstorff and Solvej Helweg Ovesen.

Of Ruins and Revival: Heritage Formation and Khoisan Indigenous Identity in Post-Apartheid South Africa

Duane Jethro (2017) in: Johnson, Greg and Siv Ellen Kraft (eds.): Handbook of Indigenous Religions. Brill: Leiden, 349-365.

Sparring Partners: An Introduction to the Gallery Reflections Series

Jonas Tinius (2017), Opening online column for ifa-gallery 2017-2018 one-year programme Untie to tie: Colonial Legacies and Contemporary Societies, ifa-Galerie, Berlin/Germany

Introduction. Engaging anthropological legacies toward cosmo-optimistic futures?

Sharon Macdonald, Henrietta Lidchi and Margareta von Oswald (2017), in Museum Worlds: Advances in Research 5: 97-109.

Engaging Anthropological Legacies

Henrietta Lidchi, Sharon Macdonald & Margareta von Oswald (eds.) (2017), special section of Museum Worlds: Advances in Research 5.

Decolonizing Research, Cosmo-optimistic Collaboration? Making Object Biographies

Margareta von Oswald & Verena Rodatus (2017), in Museum Worlds: Advances in Research 5: 211–223.

Art as ethical practice: anthropological observations on and beyond theatre

Jonas Tinius (2017), in: World Art 7(2): 227-251.

Objects/Subjects in Exile

Wayne Modest, Margareta von Oswald and Bonaventure Soh Bejeng Ndikung(2017), in: L'Internationale Online (ed.): Thread 'Decolonising Practices'.

Was ist eine Ausstellung und warum besuchen wir sie? Der kuratorische Blick von Studierenden

Sharon Macdonald (2017), in: Stuhl, Frauke, Horst Bredekamp und Wolfgang Schäffner (eds.): +ultra. gestaltung schafft wissen. Dokumentation der Ausstellung und ihrer partizipativen Vermittlungsformate. Berlin: Waxmann, pp. 67-70.

Human Remains in Museums and Collections. A Critical Engagement with the ‘Recommendations’ of the German Museums Association (2013)

Larissa Förster and Sarah Fründt (2017), in: H-Soz-Kult Forum.

Anthropologische Beobachtungen zu künstlerischer Subjektivierung und institutioneller Reflexivität

Jonas Tinius (2017), in: Matthias Warstat et al. (eds.): Applied Theatre – Frames and Positions. Berlin: Theater der Zeit, pp. 205–235.

Embedded ethics and research integrity: a response to “The quest for generic ethics principles in social science research”

Sharon Macdonald (2017), in: Iphofen, Ron (ed.): Finding Common Ground. Consensus in Research Ethics Across the Social Sciences. London: Emerald Publishing Limited. pp. 29-35.

2016

Revolutions, turns and developments in museum education: some anthropological and museological reflections

Sharon Macdonald (2016), in: Commandeur, Beatrix, Hannelore Kunz-Ott and Karin Schad (eds.): Handbuch Museumspädagogik. Kulturelle Bildung in Museen. Munich: Kopaed. pp. 95-105.

„To morze jest moje”. Dziedzictwo miejskie w Bejrucie [‘This Sea is Mine’: Urban Heritage in Beirut]

Katarzyna Puzon (2016), in: Anthropology of History Yearbook, Volume 6, Issue 9, pp. 109-122.

‘Heritage Futures’

Harrison, R., N. Bartolini, C. DeSilvey, C. Holtorf, A. Lyons, Macdonald, S., Morgan, J. and S. Penrose (2016), in: Archaeology International, No. 19: pp. 68-72.

Museum Storerooms

Sharon Macdonald (2016): Heritage Futures Website.

The charitable relation (Foreword)

Jonas Tinius (2016), in: Rustamova, Gyunel (ed.): Art as a Medium for Action. Exhibition catalogue, curated by Cinthia Willaman. London: Langham Press, pp. 4–6.

Problematische Provenienzen. Museale und universitäre Sammlungen aus postkolonialer Perspektive

Larissa Förster (2016), in: Deutsches Historisches Museum (ed.): Deutscher Kolonialismus. Fragmente seiner Geschichte und Gegenwart. Berlin, pp. 154-161

Reflexive Europeanisation and Contentious Cultural Heritage

Sharon Macdonald and Regina Römhild (2016), in: Traces Fanzine #1. pp. 10-12.

The profusion of things to do – on feeling busier than ever

Sharon Macdonald (2016): Heritage Futures Website.

Imagining Tradition: Heritage, Culture and Religion in Contemporary Ghanaian Cinema Culture

Duane Jethro (2016): Review Symposium - Responses to Birgit Meyer's Sensational Movies: Video, Vision and Christianity in Ghana. In: Religion, 46(4): 662-668.

Is difficult heritage still difficult? Why public acknowledgement of past perpetration may no longer be so unsettling to collective identities

Sharon Macdonald (2016), in: Museum International, Volume 67, Issue 1-4, pp. 6-22.

Memory and Artistic Production in a Post-war Arab City

Katarzyna Puzon (2016), in: O'Rawe, D. and M. Phelan (eds.): Post-Conflict Performance, Film and Visual Arts: Cities of Memory. Contemporary Performance InterActions. London: Palgrave Macmillan, pp. 265-83.

Meaningful objects: stories and videos from the curating domestic profusion workshop

Sharon Macdonald and Jennie Morgan (2016): Heritage Futures Website.

Raubkunst, sensible Objekte und Sammlungen und (post-)koloniale Provenienzforschung in (ethnologischen) Museen und Sammlungen: Debatten, Projekte, Perspektiven

Larissa Förster (2016) in: Schulze, Sabine und Silke Reuther (eds.): Raubkunst? Silber aus ehemals jüdischem Besitz – wie gehen Museen damit um? Tagungsband zum Symposium anlässlich der Ausstellung „Raubkunst? Provenienzforschung zu den Sammlungen des Museums für Kunst und Gewerbe Hamburg. 42-45.